Soundtracks from Ferris Bueller's Day Off

Opening scene.

Ferris boasts about how a day like this is too good for school and gives tips on how to fake a sick day for school.

Cameron laments over his psychosomatic ailment and his life in general.

Ferris dances around his bedroom after a cut from the scene where the economics teacher lectures his class on the Smoot–Hawley Tariff Act.

Ferris is about to borrow the 1961 Ferrari 250 GT California. The song plays again during the end credits when Principal Rooney staggers on the school bus with the middle school kids.

Ferris, Cameron, and Sloane arrive at the parking garage in Chicago.

Ferris, Cameron, and Sloane's drive into Chicago.

Ferris & Sloane talking and kissing. Ferris looks at her watch and has to go. She tells him she loves him as he runs off. He tells her he loves her too. She tells herself he's going to marry her.

At the beach, after Cameron flips out about the mileage on his dad's Ferrari when Cameron is still in a semi-catatonic state.

The two valet parking attendants take Cameron's father's Ferrari on a joyride through the Chicago Metro Area.

Montage in the Art Institute of Chicago, especially when Cameron stares at and identifies with the girl in the painting "Un dimanche après-midi à l'Île de la Grande Jatte," by Georges Seurat

Ferris lip-sync's to the song during the Von Steuben Day Parade, and dedicates it to Cameron.

Ferris lip-sync's to the song during the Von Steuben Day Parade (while the band adds horns), after already getting the crowd going with "Danke Schoen," by Wayne Newton.

Ferris and Sloane sit by the pool trying to wake up Cameron.

Ferris, Sloane & Cameron in the car. Ferris realizes the miles on the car are different and asks Cameron how many miles were on it before. Cameron sees the mileage and "goes berserk."

MTV jingle.

Ferris' mad dash home

Ferris pretends to be Abe Froman.

After Ferris, Cameron and Sloane are seated at Chez Quis.

Car is seen flying over the camera.

Plays as the car drives from the High School into Chicago

Played several times throughout the film, most notably when lip-synced by Ferris Bueller on the parade float.

Jeanie leaves the police station with her mother.

Sloane talks to Ferris. They kiss until he notices the time and starts to run home.

Ferris running home near the end of the movie.