Soundtracks from Bullet

Prison release scene where Butch "Bullet" Stein exits after 8 years. The hip-hop track establishes the urban, street-level tone as he walks through the prison gates to freedom, immediately setting up his return to Brooklyn's criminal underworld.

Bullet's favorite song plays as he drives back to Brooklyn with his crew. The soulful Barry White track provides emotional weight to his homecoming, contrasting the smooth R&B with the harsh reality he's returning to. This song appears multiple times throughout the film.

Brief musical interlude, likely during a transitional scene. The song provides atmospheric background as the narrative moves between key plot points in Bullet's readjustment to street life.

Plays during a scene involving Lester and his mother's car. The ironic pop hit contrasts sharply with the gritty street environment, as characters discuss vehicles and plans. The upbeat, campy song provides dark humor amid the serious criminal activity.

Another brief Barry White moment, continuing the film's use of his smooth soul music to punctuate emotional beats and provide continuity with Bullet's character preferences established earlier.

Hardcore hip-hop track during drug dealing scenes with Bernard and Paddy. The raw, underground rap perfectly matches the illegal activities and street-level criminal enterprise, including discovering a overdose victim.

Brief hip-hop interlude during criminal negotiations. The track maintains the urban atmosphere as characters discuss money and criminal partnerships, keeping the street credibility authentic throughout.

Intense hip-hop during Tank's crew planning their attack on Bullet. The aggressive, menacing track perfectly underscores the violent confrontation being orchestrated, with Tank giving orders to his crew for the climactic showdown.

Dance track plays during Ruby's artistic scene where he paints on walls. The energetic club music contrasts with the serious artistic expression and family tensions, showing Ruby's creative outlet amid the surrounding violence and dysfunction.

End credits