Midnight In Paris OST
Midnight In Paris

Midnight In Paris Soundtrack

16 songs

A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

  • Si tu vois ma mère — Sidney Bechet
    (0:01) Opening; (1:26) At the end, Gil meets Gabrielle; End Credits.
  • Je suis seul ce soir — Swing 41
    (0:04) Gil and Inez head to their appointment with her parents; (1:13) Adriana and Gil go to the Maxime with a horse-drawn carriage.
  • Recado — Original Paris Swing
    (0:13) Wine tasting on the rooftop in Paris
  • Bistro Fada — Stephane Wrembel
    (0:16) Gil walks; Others go dancing; (0:18) Gil gets into a car; (0:26) Gil meets Hemingway; (0:29) Inez walks away; (0:38); (0:56); (1:03); (1:07); (1:16).
  • Let's Do It (Let's Fall In Love) — Conal Fowkes
    (0:19) Everybody walks into the nightclub; (0:59) Gil walks at the shore of the Seine to the woman at the flea market.
  • You've Got That Thing — Conal Fowkes
    (0:20) Gil talks with the Fitzgeralds, then the group moves on to another club.
  • La conga blicoti — Josephine Baker
    (0:21) Gil is absolutely amazed by the performance.
  • You Do Something to Me — Conal Fowkes
    (0:41) Gil listens to the grammophone at the flea market.
  • I Love Penny Sue — Daniel May
    (0:44) Inez and her parents at the restaurant, talking about Gil.
  • Charleston — Enoch Light & The Charleston City All Stars
    (0:46) Gil dances at the party, then chats with Adriana, Hemingway and Juan Belmonte.
  • Ain't She Sweet — Enoch Light & The Charleston City All Stars
    (0:47) Gil talks with Hemingway, Juan Belmonte, and Adriana; (1:09) Gil goes to the surrealist's wedding party to meet Adriana.
  • Parlez-moi d'amour — Dana Boulé
    (0:47) Adriana and Gil walk through Paris; (1:11) Gil and Ariana kiss; (1:15) Adriana and Gil dance in the Maxime.
  • Barcarolle from "The Tales of Hoffman" — Conal Fowkes & Yrving & Lisa Yeras
    (1:14) Adriana and Gil dance in the Maxime.
  • Can-Can from "Orpheus In the Underworld" — Czech National Symphony Orchestra
    (1:16) At the cabaret performance back in Dega's time period; (1:31) End Credits.
  • Ballad du Paris — Francois Parisi
    (1:17) Adriana sees Toulouse-Lautrec, suggests to keep him company.
  • Le parc de plaisir — Francois Parisi
    (1:19) Gil and Adriana disagree about living in the past; She kisses him goodbye.