With provocative recordings like "F**k the Police" and "Straight Outta Compton," shaped by the bitter race relations in Los Angeles, N.W.A. evolved into a force to be reckoned with, in LA and beyond. But a series of calamities--including personal losses on the streets, run-ins with the law, a bitter contract dispute, and a clash over management that strained Dre's relationship with Eazy-E--undermined the band and landed Dr. Dre at a crossroads, looking to make a fresh start. Meanwhile, Jimmy continued his rise up the music ladder via successful collaborations with Tom Petty and Stevie Nicks (with whom he had a relationship). But he hit a wall, and considered his own career shift, after a particularly arduous collaboration with U2--whose tireless drive in the studio rivaled his own.
Radio — Eazy-E
Beginning, footage of Eazy-E recording in the studio.
The Strength of the Righteous (Main Title) — Ennio Morricone
Opening credits. The history of the name N.W.A.
In da Club — 50 Cent
Dre and Jimmy test speakers in the Chrysler
Rock N Roll N****r — Patti Smith Group
Testing the speakers, continued.
Refugee — Tom Petty and The Heartbreakers
Testing the speakers; beginning of the interview with Tom Petty.
Breakdown (Live) — Tom Petty & The Heartbreakers
Tom and Jimmy remembering Jimmy's first trip to LA.
Don't Do Me Like That — Tom Petty and The Heartbreakers
Footage of Tom Petty & the Heartbreakers performing live. Tom recalls that Jimmy always was hanging out with the right people, like Stevie Nicks.
Bella Donna (Demo) — Stevie Nicks
Stevie on the piano.
Landslide (Live) — Lindsey Buckingham & Stevie Nicks
Stevie Nicks on moving in with Jimmy and getting him to produce her first solo album.
Stop Draggin' My Heart Around (with Tom Petty & The Heartbreakers) — Stevie Nicks
Footage of Stevie and Tom Petty & the Heartbreakers performing live; Stevie and Tom recording in the studio.
Edge of Seventeen — Stevie Nicks
Footage of Stevie recording.
In the Mix — J.J. Fad
Footage of JJ Fad recording.
Supersonic (Re-Recorded / Remastered) — J.J. Fad
The first gold record on Ruthless.
Dopeman — N.W.A.
N.W.A. starts to take off; reactions to all the explicit language.
F**k tha Police — N.W.A.
Footage of recording this in the studio.
It's Funky Enough — The D.O.C.
Dre recalls recording The D.O.C.'s album; not wanting to swear on his album, differentiating him from N.W.A.
Blow Your House Down — U2
Old footage of The Edge, Bono and Jimmy working on this song on Long Island.
Sunday Bloody Sunday (Live) — U2
Footage of U2 playing the Us Festival in '83. Bono recalls meeting Jimmy.
Appetite For Destruction — N.W.A.
(0:45) Right before Ice Cube leaves N.W.A.
Bowed Waves — Atticus Ross & Leopold Ross & Claudia Sarne
Dre talking about his assault of Dee.
Where The Streets Have No Name - Remastered — U2
Footage of U2 performing; recording Rattle and Hum.
Bumpy's Lament — Soul Mann And The Brothers
They are talking about Jimmy's wife. Dr. Dre sampled this in his song, Xxplosive.
Alwayz Into Somethin' — N.W.A.
The music video for this song. News coverage of the album.
Lil' Ghetto Boy (feat. Daz & Snoop Dogg) — Dr. Dre
End credits.
Nuthin' but a G thang (feat. Snoop Dogg) — Dr. Dre
End credits.